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The Craft of Fiction, by Percy Lubbock
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This collection chronicles the fiction and non fiction classics by the greatest writers the world has ever known. The inclusion of both popular as well as overlooked pieces is pivotal to providing a broad and representative collection of classic works.
- Sales Rank: #3364290 in Books
- Published on: 2011-10-12
- Original language: English
- Dimensions: 10.00" h x .28" w x 8.00" l,
- Binding: Paperback
- 122 pages
About the Author
Percy Lubbock, (1879-1965) was an English man of letters, known as an essayist, critic and biographer. He was educated at Eton College and King's College, Cambridge. He won the James Tait Black Memorial Prize for 1922, with his memoir of childhood summer holidays at Earlham Hall in Norfolk. He became an émigré, and lived in Gli Scafari on the Gulf of Spezia. Towards the end of his life he went blind. Remarkably well-placed socially, his intellectual connections included E. M. Forster, a Cambridge contemporary, Edith Wharton (a member of her Inner Circle from about 1906), Howard Sturgis and Bernard Berenson. He reviewed, anonymously in the columns of the Times Literary Supplement, significant modern novels including Forster's Howard's End. His 1921 book The Craft of Fiction ('the official textbook of the Modernist aesthetics of indirection') became a straw man for writers including Virginia Woolf and Graham Greene, who disagreed with his rather formalist view of the novel. Amongst his other works are: Samuel Pepys (1909), A Book of English Prose (1913) and Shades of Eton (1929).
Most helpful customer reviews
27 of 29 people found the following review helpful.
Foundational
By Thomas L. Jeffers
This, like E. M. Forster's "Aspects of the Novel," is an essential work of criticism, and it's nice to see it back in print. Lubbock's outlook is an extension of Henry James's. He is more immediately accessible than the Master, and he illustrates the "craft" by reference to classic novels such as Tolstoy's "Anna Karenina," Flaubert's "Madame Bovary," Thackeray's "Vanity Fair," and of course James's own works, particularly "The Ambassadors." Lubbock, Forster, F. R. Leavis's "The Great Tradition," and Ian Watt's "Rise of the Novel" give you what you need to know if you want to understand the central canon in Anglo-American and European fiction.
8 of 8 people found the following review helpful.
A major work of literary criticism
By Shalom Freedman
Lubbock 's subject is the craft-of- fiction and he looks at work of Flaubert, Henry James, and Tolstoy in order to teach the tricks of the trade. Much of what he speaks about concerns point- of- view and much about the virtue of 'showing' rather than 'telling'. In one of the work's defining passages he writes, ".. the art of fiction does not begin until the novelist thinks of the story as a matter to be shown, to be so exhibited that it will tell itself To hand over the reader the facts of the story merely as so much information- this is no more than to state the 'argument' of the book... The book is not a row of facts, it is a single image; the facts have no validity in themselves. It is not the simple art of narrative, but the comprehensive art of fiction that I am considering' and in fiction there can be no appeal to any authority outside the book itself."
For Lubbock the consummate master of the techniques of 'showing' is James. And a central part of the work is devoted to analysis of the technique of 'the master'.
28 of 34 people found the following review helpful.
A MUST BUY
By A Customer
This is the book recommended by graham greene in his autobiography.he had studied this book inside out before embarking on his illustrious career. I suppose no other stamp off approval is needed after that.....
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